Literature Poems

Cerebellion

Smokin' Crow
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Seriously, this is just an excuse to post short little poems that I've read and/or written and would like to share. As a poetry fan, I always feel the need to spread the love of the written word artfully done.
I read this one by Kurt Vonnegut today:

Two little good girls
Watchful and wise –
Clever little hands
And big kind eyes –
Look for signs that the world is good,
Comport themselves as good folk should.
They wonder at a father
Who is sad and funny strong,
And they wonder at a mother
Like a childhood song.
And what, and what
Do the two think of?
Of the sun
And the moon
And the earth
And love.
 
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I like poetry. I have a book of poems that was my mom's. It's this one only a lot older and worn. :)

http://www.amazon.com/Best-Loved-Poems-American-People/dp/0385000197

BEST LOVED POEMS.jpg


I used to write poetry, back in the late 60's early 70's when I was an impressionable teenager. Most of it was very dark, reflecting the times, Vietnam War and other life dramas, I suppose.
 
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I still indulge in it. I'm bollocks at it honestly, but I like to do it. I read more now than I write. I grew up reading Ginsberg, Whitman, and Plath, so you can imagine how the poems I tried to write turned out. My own style is dark. I have a childlike love of rhymes and rhyme games, so I lean toward that as well.
 
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By fate, not option, frugal Nature gave
One scent to hyson and to wall-flower,
One sound to pine-groves and to water-falls,
One aspect to the desert and the lake.
It was her stern necessity: all things


Are of one pattern made; bird, beast, and flower,
Song, picture, form, space, thought, and character
Deceive us, seeming to be many things,
And are but one.

-Ralph Waldo Emerson
 
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I freaking love poetry.

I just read this one last night and cried. It's by Rick Belden.


afterwards


now I’m a tiny bird
cold and quivering in your hands.

now I’m a small boy
lost in a department store that’s about to close.

seconds ago I was a lion in your bed
a storm blowing out your walls
jupiter crashing into venus
the climax of an opera
now I’m a little lost traveler
hiding in a land of giants
you could kill me with the flick of a finger
or a harsh word.

I need your protection in this moment
when I’m so open
so vulnerable
because this is when the phantoms come
this is when
the black wordless void where I was taken as a child
returns to claim me again
opening its dark mouth under my feet
pulling me down into its throat
sending me back in time to myself
showing me how small and alone I was
when it happened.

please don’t abandon me now
not now
stay close
be with me
breathe with me
just give me a few minutes
and I’ll be the man you know again.
 
Unfortunately, there is a lot of poetry that is exactly that. It's sometimes a chore to wade through it to find the good stuff or the stuff one likes. It's not a pointless task, though.
 
I love a good poem. They are ridiculously difficult to write though. William Faulkner said that is why he gave up writing poetry and moved on to novels. 'You can't have any filler in a poem. Every single word has to forward your premise.'

I love Poe - and Bukowski was one of my main inspirations for writing any of my own.
 
I love a good poem. They are ridiculously difficult to write though. William Faulkner said that is why he gave up writing poetry and moved on to novels. 'You can't have any filler in a poem. Every single word has to forward your premise.'

I love Poe - and Bukowski was one of my main inspirations for writing any of my own.
I need to read more Bukowski. He's been on my list for ages, but I haven't gotten around to it yet. Bad dork...
 
Here's a brilliant one:

the illusion is that you are simply
reading this poem.
the reality is that this is more than a poem.
this is a beggars knife.
this is a tulip.
this is a soldier marching
through Madrid.
this is you on your
death bed.
this is Li Po laughing
underground.
this is not a god-damned
poem.
this is a horse asleep.
a butterfly in
your brain.
this is the devil's
circus.
you are not reading this
on a page.
the page is reading you.
feel it?
it's like a cobra.
it's a hungry eagle
circling the room.

this is not a poem.
poems are dull,
they make you
sleep.

these words force you
to a new
madness.

you have been blessed,
you have been pushed
into a
blinding area of
light.

the elephant dreams
with you
now.
the curve of space
bends and laughs.

you can die now.
you can die now as
people were meant to
die:
great,
victorious,
hearing the music,
being the music,
roaring,
roaring,
roaring.

Splash --Charles Bukowski
 
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I'll post this one by Allen Ginsberg. It's a favorite of mine:

Father Death Blues

Hey Father Death, I'm flying home
Hey poor man, you're all alone
Hey old daddy, I know where I'm going

Father Death, Don't cry any more
Mama's there, underneath the floor
Brother Death, please mind the store

Old Aunty Death Don't hide your bones
Old Uncle Death I hear your groans
O Sister Death how sweet your moans

O Children Deaths go breathe your breaths
Sobbing breasts'll ease your Deaths
Pain is gone, tears take the rest

Genius Death your art is done
Lover Death your body's gone
Father Death I'm coming home

Guru Death your words are true
Teacher Death I do thank you
For inspiring me to sing this Blues

Buddha Death, I wake with you
Dharma Death, your mind is new
Sangha Death, we'll work it through

Suffering is what was born
Ignorance made me forlorn
Tearful truths I cannot scorn

Father Breath once more farewell
Birth you gave was no thing ill
My heart is still, as time will tell.
Allen Ginsberg
 
I like it. I think all great poetry has a musical interpretation. I recorded a friend of mine reciting Poe's 'Dreamland' and though his narration gives it a quirky twist - it was really easy (and fun) to put music to it. Poe would have been a great addition to Sunno))).
 
This is the first Anne Sexton poem I ever read.

Unknown Girl in a Maternity Ward

Child, the current of your breath is six days long.
You lie, a small knuckle on my white bed;
lie, fisted like a snail, so small and strong
at my breast. Your lips are animals; you are fed
with love. At first hunger is not wrong.
The nurses nod their caps; you are shepherded
down starch halls with the other unnested throng
in wheeling baskets. You tip like a cup; your head
moving to my touch. You sense the way we belong.
But this is an institution bed.
You will not know me very long.

The doctors are enamel. They want to know
the facts. They guess about the man who left me,
some pendulum soul, going the way men go
and leave you full of child. But our case history
stays blank. All I did was let you grow.
Now we are here for all the ward to see.
They thought I was strange, although
I never spoke a word. I burst empty
of you, letting you learn how the air is so.
The doctors chart the riddle they ask of me
and I turn my head away. I do not know.

Yours is the only face I recognize.
Bone at my bone, you drink my answers in.
Six times a day I prize
your need, the animals of your lips, your skin
growing warm and plump. I see your eyes
lifting their tents. They are blue stones, they begin
to outgrow their moss. You blink in surprise
and I wonder what you can see, my funny kin,
as you trouble my silence. I am a shelter of lies.
Should I learn to speak again, or hopeless in
such sanity will I touch some face I recognize?

Down the hall the baskets start back. My arms
fit you like a sleeve, they hold
catkins of your willows, the wild bee farms
of your nerves, each muscle and fold
of your first days. Your old man’s face disarms
the nurses. But the doctors return to scold
me. I speak. It is you my silence harms.
I should have known; I should have told
them something to write down. My voice alarms
my throat. “Name of father—none.” I hold
you and name you ******* in my arms.

And now that’s that. There is nothing more
that I can say or lose.
Others have traded life before
and could not speak. I tighten to refuse
your owling eyes, my fragile visitor.
I touch your cheeks, like flowers. You bruise
against me. We unlearn. I am a shore
rocking you off. You break from me. I choose
your only way, my small inheritor
and hand you off, trembling the selves we lose.
Go child, who is my sin and nothing more.
 
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You know, I can hear that. You should totally do it. I can hear Leaves of Grass with Earth playing in the background
 
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This is mine from long ago - a country boy charmed by the city. It needs explanation because I really don't know what I'm doing.

Skyscraper arms

reach out
embrace me
shake off
dust of fields
breathe not
the humid
animal smell
of meadows
thick with daisies
replace these
with soot
and sweet
diesel breath
 
I'm a big fan (reading it, and writing it). I haven't written anything in a long time, though.
I had a Creative Writing class in high school, and had to follow a bunch of the rules (iambic pentameter, and others), but I think I mostly like doing free verse or experimenting with my own rules/exercises.

I want to share one called On Reading Poorly Transcribed Erotica by Jill Alexander Essbaum. I always get a kick out of this one. It's a short piece, but I'll put it in spoilers since it is an "adult" poem, or whatever.
She stood before him wearing only pantries
and he groped for her Volvo under the gauze.
She had saved her public hair, and his cook
went hard as a fist. They fell to the bad.
He shoveled his duck into her posse
and all her worm juices spilled out.
Still, his enormous election raged on.
Her beasts heaved as he sacked them,
and his own nibbles went stuff as well.
She put her tong in his rear and talked ditty.
Oh, it was all that he could do not to comb.

I've also been getting into Charles Bukowski a bit. But I'll read just about anything.