I saw this yesterday. I wasn't thrilled with it, to be honest. I thought it needed a really good editor. It was too long and really dragged for me in some spots. It had its moments, but it lacked intensity, and some of the humor was kind of lame.Watched The Last Jedi, actually really liked it. It's not a flawless movie but a lot of the complaints people are bringing up about it I just don't see.
I usually go to the movies to be entertained- not to think.@Tom seems you should pay more attention to the movies you watch
I thought it was quite good exactly because of all that.
I saw this yesterday. I wasn't thrilled with it, to be honest. I thought it needed a really good editor. It was too long and really dragged for me in some spots. It had its moments, but it lacked intensity, and some of the humor was kind of lame.
I honestly kept waiting for it to end. Just when I thought it would end, another scene would occur. This happened at least three times. I don't know, this one won't have staying power for me. I'm glad I saw it, but it likely won't be a repeat watch for me. I saw TFA three times in the theater and have watched it several times on DVD. I also really enjoyed Rogue One. I really hope Episode IX is a much better chapter. I've read that Rian Johnson gets his own trilogy starting in 2020. If that's the case, I doubt I will bother with it.That's fair. I can't say I ever really got bored with it but it definitely didn't have the snappy pace of TFA, that's for sure.
It's not good, don't waste your time, let's put it that way. LMAOI’m surprised Snatched only got one Razzie nomination. I haven’t seen it, but judging from the TV ads and the trailer, it looks really atrocious. (You know how a trailer tends to feature the best scenes in the movie? Well, after seeing the trailer for Snatched, I can only assume the rest of the movie is crap.)
the film was conceived from the ground up to move in perfect time to music. Every aspect of the film that could be tied to the rhythm of the soundtrack was: the movement of the camera, the blocking of the actors, and the cutting between shots.
Speaking as a sometime editor myself, the opportunity and responsibility facing Machliss and Amos leaves me dumbfounded. The execution leaves me awestruck; it's flawlessly edited, down to the finest details of actors' gestures motivating specific cuts.